There's a particular kind of dialogue that almost always reads as false, that always sounds as if the writer ran out of steam. It's sometimes called Asked and Answered. Or Asked to Answer. Or Prompting Dialogue. I like to call it Eliciting Dialogue. It's a line of dialogue whose sole purpose is to elicit a [...]
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Something's bothering me about The Hurt Locker.
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Monday, November 30, 2009
The phrase character arc (with the emphasis, inevitably, simply due to the phonetic construction, the meter of the phrase, on arc) leads us to think narrowly. Simplistically. As if such yearning were singular, knowable. Can be rendered in a sentence. It seldom can. Such desire is lifelong and chaotic. Ever shifting. Moving from failure to [...]
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Story is always carried by character. Character generates plot. Character creates motive. Character endures consequence. It is from a character's passion, drive, desire that plot becomes more than event. Becomes meaningful. Plot devoid of consistent character — driven and driving character – is merely spectacle. Structure without voice is empty form. Never forget that empathy [...]
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